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dc.contributor.authorЯн, Цзеru
dc.coverage.spatialМинскru
dc.date.accessioned2024-01-17T08:37:25Z
dc.date.available2024-01-17T08:37:25Z
dc.date.issued2023
dc.identifier.citationЯн, Цзе Размышления о развитии музыки в китайских анимационных фильмах – на примере «Фонаря по линь» / Цзе Ян // Новые горизонты - 2023 : сборник материалов X Белорусско-Китайского молодежного инновационного форума, 9-10 ноября 2023 года / Белорусский национальный технический университет. – Минск : БНТУ, 2023. – Т. 2. – С. 127-128.ru
dc.identifier.urihttps://rep.bntu.by/handle/data/139453
dc.description.abstractWith the change and progress of the music dissemination method and the updating of the audience's concepts and aesthetic interests, the "nationalization" of Chinese animated film music is gradually merging with the "popularization" of music. As a pioneer, the Chinese animated film "Po Lin Lantern" has broadened the single and simple creation mode of Chinese animated film music in the past, and explored a mode of music creation that expands children's music to diversification, and blends nationalization and popularization through the reference to the successful experience of foreign animated film music, which has been recognized and adopted by Chinese animated music producers.ru
dc.language.isoruru
dc.publisherБНТУru
dc.titleРазмышления о развитии музыки в китайских анимационных фильмах – на примере «Фонаря по линь»ru
dc.typeWorking Paperru


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