Множественность значений и амбивалентность красного цвета в европейском искусстве

Abstract

The plurality of meanings and ambivalence of the color red in European art were formed under the influence of historical, social and cultural conditions of artistic eras. The many meanings of the color red contributed to their unification into a single semantic model – a semantic field. Identifying the meanings of the semantic field of red plays an important role in revealing the ideological and figurative content of works of European art.